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b. 165-166

composition: Op. 21, Concerto in F minor, Mvt III

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Chopin erroneously wrote ritenenuto in A. The mistake was not perpetuated in the editions because already GE used the abbreviation riten.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Errors of A

b. 167

composition: Op. 21, Concerto in F minor, Mvt III

Semiquaver in A

Slashed grace note in GE1

Quaver in FE (→EE)

Grace note in GE2

Rest & semiquaver suggested by the editors

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The semiquaver opening the bassoon motif was given the form of a slashed grace note in GE, which could have been influenced by the notation of A, in which the grace note is unusually small. On the other hand, in A it is written as a semiquaver, in accordance with the rhythm in Morch in the part of bassoon, which is playing this motif. Therefore, it is unlikely that a grace note would be compliant with Chopin's intention. The reason for the change could have been formal rhythmic correctness, since due to the lack of rests before this note, only a grace note fits smoothly between three crotchets of this bar. In turn, it is difficult to say what the motivation of the person (Chopin?) who changed the grace note to a quaver in FE (→#EE) was. In the main text we choose the undoubtedly authentic notation of A, adding the rest overlooked by Chopin for the record.

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , FE revisions

b. 167

composition: Op. 21, Concerto in F minor, Mvt III

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The cautionary naturals before g2 and gwere added in GE (→FEEE). It could have been performed at Chopin's request.

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 167-168

composition: Op. 21, Concerto in F minor, Mvt III

Slur from b in A

Slur from a in GE (→FEEE)

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Beginning a slur from the second note of the bassoon motif is certainly an inaccuracy of GE1, repeated in all subsequent editions.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 167-168

composition: Op. 21, Concerto in F minor, Mvt III

 in A & GE2

No pedalling in GE1 (→FEEE)

 & [], our variant suggestion

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In A, Chopin did not specify – consciously or not – the moment of pedal release. We suggest two possible pedalling solutions for this place in the main text. No  sign must be an oversight of the engraver of GE1 (→FEEE).

category imprint: Differences between sources

issues: GE revisions , No pedal release mark