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b. 146-148
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composition: Op. 21, Concerto in F minor, Mvt III
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The staccato signs at the beginning of bars 146 and 148 are written in A inconsistently – in bar 146 the sign is only in the R.H., whereas in bar 148 – in both. The kind of the employed sign in bar 146 can also raise doubts, yet clear wedges in bar 148 speak in favour of a wedge. We add a fourth wedge (bar 146, L.H.) in the main text, since Chopin wrote staccato signs in similar situations in bars 150, 154 and 156 in the parts of both hands. No signs in bar 146 is certainly a mistake of GE1 (→FE→EE), whereas the interpretation of all employed signs as dots must be an inaccuracy of the editions. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , GE revisions , Wedges |
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b. 146-148
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we include only the slur written by Chopin in A – see bars 145-160. The versions of GE1 and FE are most probably erroneous, whereas the ones of EE and GE2 – arbitrary. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 148-154
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composition: Op. 21, Concerto in F minor, Mvt III
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It cannot be excluded that the slurs in the L.H. in bars 148 and 154 in GE1 were added by Chopin. However, according to us, a revision is more likely in this case (see bars 145-160), hence we do not include them in the main text. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 151
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing slur in the R.H. is almost certainly an inaccuracy of A: in the entire fragment, Chopin marked articulation of all remaining notes. In GE1 slurs in parts of both hands were added, which could have been performed upon initiative of Chopin. However, the proofreading was implemented inaccurately, since the range of the added slurs differs, which could not correspond to the composer's intention (the slurs were unified both in FE (→EE) and GE2, although in each differently). There is also a possibility that Chopin added only the slur in the R.H. and the second one is an addition of revision – cf. bars 148 and 154. Therefore, in the main text we give only the slur in the R.H. – see bars 145-160. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of GE |
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b. 152
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur embracing only the quaver triplet is an inaccuracy of revision of EE. The same slur was added also in the L.H. – see bars 145-160. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
