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b. 154
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composition: Op. 21, Concerto in F minor, Mvt I
..
In ½A Chopin would try to avoid writing on the cello stave, as a result of which he wrote both category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Inaccuracies in A |
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b. 154-155
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
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b. 155
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composition: Op. 21, Concerto in F minor, Mvt I
..
The sign, added probably by Chopin in FED, is likely to be category imprint: Differences between sources |
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b. 155
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composition: Op. 21, Concerto in F minor, Mvt I
..
The category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 155
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composition: Op. 21, Concerto in F minor, Mvt I
..
According to us, the pedalling of A is written inaccurately in this bar, which was probably caused by the transition to a new page and distraction at the time of writing the same bar for the third time – in bar 157 the pedalling is again compliant with bars 151 and 153. The versions of the editions are certainly arbitrary – cf. bars 151-153. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE |
signs before respective bass notes. It also contributed to an earlier placement of the 
sign, with respect to analogous bar 152, which in 
raising d
to d. Four out of six necessary signs – only both naturals before d2 were overlooked – were added already in 
. In the main text we include the indication in the variant form.
in 
in 
