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b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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The long accents at the beginning of the semiquaver passages in bars 151 and 153, overlooked in GE1 (→FE→EE), were restored in GE2 as short accents. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the pedalling of A as the only authentic. In spite of minor inaccuracies, bars 151-154 include detailed and consistent indications in A – the moment of pedal release is slightly different in each of four situations within two-bar phrases. The subtlety was partially lost in the editions, whereas the differences between them most probably stem from attempts (generally feeble) to order the notation made by engravers or revisers. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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Change of the font of the accents in bars 151 and 153 is a characteristic manner of EE. Similarly in further analogous bars. category imprint: Differences between sources issues: EE revisions |
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b. 152
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composition: Op. 21, Concerto in F minor, Mvt I
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The "model" long accent in A was reproduced in the editions as a short one. Similarly in bar 154 as well as in bars 302 and 304. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 154
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accent in A was reproduced in GE (→FE) as a short one, whereas EE changed it to a vertical one. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
