EE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 154

In ½Chopin would try to avoid writing on the cello stave, as a result of which he wrote both  signs before respective bass notes. It also contributed to an earlier placement of the  sign, with respect to analogous bar 152, which in GE1 (→FE) was moved even closer to the beginning of the bar. EE and GE2 introduced some changes in the placement of the signs too (GE2 after A). In the main text we give an interpretation of the notation of A compliant with bar 152.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions, Inaccuracies in GE, GE revisions, Inaccuracies in A

notation: Pedalling

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