GC - Gutmann's Copy

Gutmann's copy intended as a basis for the first German edition.

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FE - French edition

E. Troupenas, Paris, plate number T. 891.
FE1 ‒ first French edition, May 1840,
FE2 – second impression of FE1, June 1840,
FE3 – third impression of FE1, (June⇒) 1840,
FE4 – fourth impression of FE1, 1840-1841,
Two teaching copies with Chopin’s annotations:
FESch ‒ copy of FE2 belonging to Maria Scherbatoff,
FED ‒ copy of FE4 belonging to Camille O'Méara-Dubois.
Pupil's copy, in this movement without annotations:
FES ‒ copy of FE3 belonging to Jane Stirling.

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GE - German edition

Breitkopf & Härtel, Leipzig, plate number 6329.
GE1‒ first German edition, May 1840,
GE2 ‒ later (around 1868), revised impression of GE1.

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EE - English edition

Wessel & Co, London, plate number W & Co No 3549.
EE1 ‒ first English edition, June 1840,
EE2 ‒ revised impression of EE1, ca 1856-1860.

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Filiation of the sources

                        

 

Principles behind the main text of
the Sonata in B flat minor Op. 35, I mvt

We accept as our basis FE4 as the last authentic source, compared to GC for the purpose of eliminating accidental changes and oversights by the engraver. In addition, we take into consideration the changes enriching the FE version and introduced by Chopin in GC and the basis for EE (e.g. more accurate, in general, dynamic markings), as well as the composer's alterations in pupils' copies.