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b. 57

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Same as in bar 3, GC (→GE1) has an erroneous instead of G in the last chord in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions

b. 58

composition: Op. 35, Sonata in B♭ minor, Mvt III

No ornament in GC (→GE)

Grace note in FE (→EE)

Our variant suggestion

..

The recapitulation of the initial section of Marche was not written out with notes in the Stichvorlage manuscripts – [A] (→GC) – hence the doubts arising in the text of the first section are present here too. According to us, the inclusion of the grace note can be left at the discretion of the performer.

category imprint: Differences between sources; Editorial revisions

b. 59

composition: Op. 35, Sonata in B♭ minor, Mvt III

Crotchet b in GC (→GE)

Dotted quaver in FE (→EE)

..

The version of FE (→EE) is probably a result of a misunderstanding of [A] – see bar 5.

category imprint: Interpretations within context; Differences between sources

issues: FE revisions

b. 61-62

composition: Op. 35, Sonata in B♭ minor, Mvt III

No markings in GC (→GE) & FE

 &  in EE1

 &  in EE2

Our variant suggestion with 

Our variant suggestion with 

..

The contrasting dynamic indications added in EE may come from Chopin, however, there are premises to suspect a possibility of a revision, adding an authentic crescendo. Due to this reason, we do not include them in the main text, however, we suggest alternative variant solutions.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of EE

b. 61-62

composition: Op. 35, Sonata in B♭ minor, Mvt III

Dotted rhythm in GC (→GE)

Quavers in FE (→EE)

..

Same as in bars 7-8, it is not certain, which of the versions of the rhythm is authentic, and if both, which one is later. In the main text we give an analogous rhythm to bars 65-66.

category imprint: Differences between sources

issues: Dotted or even rhythm