|
b. 53
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Same as in bar 37, Chopin added the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
||||||
|
b. 53
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
The version of EE1, introduced only in print, probably does not come from Chopin. category imprint: Differences between sources issues: EE revisions |
||||||
|
b. 54
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
No pedal in the 1st half of the bar must be considered to be Chopin's oversight – in the entire middle section of Marche, the harmonic pedalling is meticulously marked. A similar conclusion was reached by the revisers of FE5 and GE2mar (→GE2). category imprint: Differences between sources; Editorial revisions issues: GE revisions , FE revisions |
||||||
|
b. 55-64
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
In [A] (→GC) the recapitulation is marked in an abbreviated manner as repetition of the first section. Chopin marked the discussed bars with numbers from 1 to 10, while over the first two he wrote Marche Da Capo. This indication, left either due to distraction or as an additional explanation for the engraver, was not printed – by the way, it was a correct decision – both in FE (→EE) and in GE. category imprint: Source & stylistic information issues: Abbreviated notation of A |
||||||
|
b. 56-60
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
The cresc. indication was added – certainly by Chopin – in the proofreading of FE3 (in bar 56) and base text to EE (half a bar earlier). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
in 
1 in 
