Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
Sources
- Autograph sketch
- Autograph Rothschild
- Autograph
- French edition
- First French edition
- Dubois copy
- Stirling copy
- German Edition
- First German edition of Op. 64
- First German edition of Waltz No 2
- Second German edition of Op. 64
- Second German edition of Waltz No 2
- Corrected impression of GE2op
- English Edition
- Earliest English edition
- First English edition
- Revised impression of EEW1
AI - Autograph Rothschild
| Date: | 1847 |
| Title: | Valse |
| Dedication: | None |
Autograph-gift, given to baroness de Rothschild, to whom the published version of the Waltz was then dedicated. A neat and clear manuscript, with a minor number of deletions-corrections, presents the Waltz in the original form, comprising only bars 1-128. It also differs from the version prepared for print in many other aspects:
- beginning of the piece without upbeat;
- a total absence of performance indications, except for slurs; the only indication suggesting the tempo and character of the composition is the Valse title;
- slurring marked only in a fragmented manner – see bars 1-2 and 26-29;
- bars 49-64 written as a repetition of bars 33-48, with the use of regular repetition signs;
- numerous minor differences in melody, rhythm, in particularly of the accompaniment.
It is deletions in pencil, not related, as it seems, to the notation of the Waltz, that draw attention. In two places a 
and a 
overlooked by Chopin (bars 26 and 45) were added, also in pencil.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Ms. 114 |