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b. 11
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composition: Op. 25 No 11, Etude in A minor
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The fingering in GC (→GE) is written with the copyist's hand, which probably means that it was overlooked in this edition, which had [A] as base text – FE or EE. category imprint: Differences between sources |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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The wedge in GC, confirmed by EE, was reproduced in GE as a staccato dot. Therefore, the evaluation of the authenticity of the dot in FE also advises caution. The tendency to interpret wedges as dots was very clear in the B&H publishing houses – cf., e.g., the Nocturne in D category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Wedges |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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The slur of GC, reaching above the rest, is certainly inaccurate. The version of GE1 is most probably an attempt to confer it meaning while preserving its length. The change performed in EE3 proves (excessive) trust of the reviser of this edition to the text of GE1. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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In GC and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC |
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b. 13
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composition: Op. 25 No 11, Etude in A minor
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Same as in bar 5, category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |