b. 5
|
composition: Op. 25 No 11, Etude in A minor
..
The Allegro con brio indication in GC is written with Chopin's hand. It can also be seen that Chopin deleted Allegro molto con fuoco written by the copyist. In this case the composer ensured that the final version is in all sources. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections in GC |
||||||||
b. 5
|
composition: Op. 25 No 11, Etude in A minor
..
The clearly smaller number of fingering numerals in GC (→GE) is probably the original version, completed by Chopin in the base texts to FE and EE. In the main text we give the most accurate indications, included in EE. category imprint: Differences between sources |
||||||||
b. 5-12
|
composition: Op. 25 No 11, Etude in A minor
..
In GC – undoubtedly in accordance with [A] – bars 5-14 are provided with numbers 1-10 as model for the briefly written bars 69-78. category imprint: Source & stylistic information issues: Abbreviated notation of A |
||||||||
b. 5
|
composition: Op. 25 No 11, Etude in A minor
..
GC (→GE1) features naturals before b3 and a3 in the 3rd group of semiquavers. These unnecessary signs are remnants of the erroneously repeated 2nd group of semiquavers in this place. The mistake was corrected, by changing only the elements influencing the correctness of the text – pitch of the notes, to before the 3rd note. In GE2 (→GE3) the naturals were already not included. category imprint: Differences between sources issues: GE revisions , Errors of GC |
||||||||
b. 6
|
composition: Op. 25 No 11, Etude in A minor
..
In EE1 it is b that is the lowest note of the minim chord. This patent mistake was corrected in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |