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Op. 26 No 2, Polonaise in E♭ minor

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Slurs

b. 71-72

composition: Op. 26 No 2, Polonaise in E♭ minor

Dots & slur from bar 72 in A

Slur from bar 71 in FE (→GE,EE)
..

In the main text, we give a longer slur, with which Chopin replaced staccato dots and the shorter slur of A in the proofreading of FE1. Similar changes were introduced by the composer almost in all analogous places.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 75-76

composition: Op. 26 No 2, Polonaise in E♭ minor

Dots & slur from bar 76 in A

Slur from bar 75 in FE (→GE,EE)
..

In the main text we give the longer slur, with which Chopin replaced staccato dots and the shorter slur of A in the proofreading of FE1. He introduced similar changes in almost all analogous places.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 79-80

composition: Op. 26 No 2, Polonaise in E♭ minor

Dots & slur from bar 80 in A

Slur from bar 79 in FE (→GE,EE)
..

In the main text we give the longer slur, with which Chopin replaced the staccato dots and the shorter slur in A. He introduced similar changes in almost all analogous places.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 80

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE1 overlooked the first half of the bar in the L.H. at the transition between the bars. The deficiency was completed in the subsequent impressions of GE.

category imprint: Interpretations within context

issues: Inaccuracies in GE

b. 82-83

composition: Op. 26 No 2, Polonaise in E♭ minor

Slur in A (→FE→EE,GE1)

Slur in GE2 (→GE3→GE4)
..

In GE2 (→GE3→GE4) the slur in the R.H. was extended until the end of the 1st beat of bar 83.

category imprint: Differences between sources

issues: GE revisions