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b. 3
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composition: Op. 26 No 2, Polonaise in E♭ minor
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It is not certain if category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 3-4
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The absence of pedalling marks in FE (→EE,GE1) is most probably an oversight of the engraver. The signs were added in GE2 (→GE3→GE4), probably on the basis of comparison with analogous places. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 3
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The overlooked in A flats restoring A category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 6
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composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: Inaccuracies in FE , No pedal release mark |
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b. 7-8
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In GE1, probably as a result of an error, the 2nd beat of bar 7 and the entire bar 8 are written without staccato dots. In the subsequent GE, most likely in order to unify all occurrences of this fragment, the dots on the 3rd beat of bar 7 were also removed. Cf. bars 111-112. category imprint: Differences between sources issues: Errors in GE , GE revisions |