b. 115
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composition: Op. 38, Ballade in F major
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In GC the second lowest note of the R.H. chord is written imprecisely (too low), so that GE1 (→GE2) read it as a1 instead of b1. The error was corrected in GE3. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 115-119
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composition: Op. 38, Ballade in F major
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In FE the slur in the middle voice breaks at the end of line (in bar 115). GE overlooked the entire slur, despite an unambiguous and clear notation of GC. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in GE , Uncertain slur continuation |
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b. 115
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composition: Op. 38, Ballade in F major category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 115
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composition: Op. 38, Ballade in F major
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A and FE have a cautionary before the upper note of the octave at the beginning of the bar. In the main text, we also give a next to the bottom note. In the remaining sources there is no before the octave – probably resulting from an oversight. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 116-117
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composition: Op. 38, Ballade in F major
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The additional tie to d1 results either from a mistake, or from an unconsidered revision by the copyist in GC (→GE) – that note belongs to the first theme of the Ballade, and of course must be played. The lack of ties in FE1 (→FE2) and EE is probably due to the misunderstanding of A. In FE3 the ties were most probably added by a reviser on the basis of A, although we cannot exclude Chopin's participation in this kind of correction. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Authentic corrections of FE , Errors of GC |