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b. 112

composition: Op. 38, Ballade in F major

in bar 111 in A (→EE,GCGE)

in bar 112 in FE

..

In the editors' opinion  in this bar results from a misinterpretation of the notation in A.

category imprint: Differences between sources

b. 113-115

composition: Op. 38, Ballade in F major

Continuous slur in A (→FE,EE)

Slurs in GC(→GE)

..

In both A and GC bar 114 starts a new line. The slurs in A unequivocally mean a continuous slur, however, the notation in GC is ambiguous – the beginning of slur in bar 114 suggests continuation from the previous bar but the slur in bar 113 ends on the last quaver (this inaccurate notation is meticulously reproduced in GE). We assume this to denote separate slurs. In the main text we give the notation of A (→FE,EE) which does not rise doubts.

category imprint: Differences between sources

issues: Inaccuracies in GC , Uncertain slur continuation , Errors repeated in GE

b. 113-114

composition: Op. 38, Ballade in F major

Continuous slur in FE & EE

..

Contrary to the R.H. part, the slurs in the L.H. are distinctly separated between bars 113-114 in A (→GCGE). Nonetheless both FE and EE do not break the slur there, perhaps just after the R.H. slur. However, a comparison with an analogous phrase in bars 137-139 suggests that the continuous R.H. slur is more likely to be inaccurate here.

category imprint: Differences between sources

issues: Inaccuracies in FE , EE inaccuracies

b. 114-115

composition: Op. 38, Ballade in F major

Slur to A1-A in A (→FE,EE)

Slur to B1-B in GC (→GE)

..

The shorter slur in GC (→GE) is almost certainly a consequence of the copyist's negligence.

category imprint: Differences between sources

issues: Inaccuracies in GC

b. 115

composition: Op. 38, Ballade in F major

in A (→FE,GCGE)

No marking in EE

..

The lack of  results almost certainly from an oversight by the engraver of EE.

category imprint: Interpretations within context

issues: EE inaccuracies