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b. 1
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and the dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1
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composition: Op. 10 No 6, Etude in E♭ minor
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The tempo indication, together with the metronome marking, was added by Chopin in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 1
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composition: Op. 10 No 6, Etude in E♭ minor
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Lack of the indication in GE is probably a result of an oversight of the edition's engraver. It is less plausible, although it cannot be excluded, that the indication was omitted and then added in FE. category imprint: Differences between sources issues: Errors in GE |
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b. 1
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composition: Op. 10 No 6, Etude in E♭ minor
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The legatissimo indication is written in A in an abbreviated form – legatiss. We give the development of the abbreviation used in FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 1-4
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composition: Op. 10 No 6, Etude in E♭ minor
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Each of four slurs in the L.H. written in A embraces the entire bar, despite the fact that due to the inconvenient graphic layout, the notation is not always precise. In FE (→EE2) only two out of them were recreated, in bars 2-3. Similarly in GE1, in which the slur in bar 3 is led only to the penultimate note, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
(this inaccuracy was corrected only in