



b. 3
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composition: Op. 10 No 6, Etude in E♭ minor
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The sign at the beginning of bar 3 in A (→FE→GE,EE) may be considered as category imprint: Interpretations within context; Differences between sources issues: Long accents |
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b. 3-4
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composition: Op. 10 No 6, Etude in E♭ minor
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Bar 3 in A (→FE→GE1→GE2→GE3) repeats the category imprint: Differences between sources issues: Cautionary accidentals |
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b. 4
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composition: Op. 10 No 6, Etude in E♭ minor
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 4-13
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composition: Op. 10 No 6, Etude in E♭ minor
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We add cautionary flats before e category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 5-13
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composition: Op. 10 No 6, Etude in E♭ minor
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The '1' digits at the end of bars 5 and 13 (and 45) are written in A. It is hard to determine why none of them is present in FE (→GE,EE). In any case, Chopin's entry in FES in bars 45-46 confirms both the fingering and the need for its indication. Therefore, in the main text we give the 1s written in A. (The fingering written in FES in bar 46 is also given by us in bar 6 – cf. General Editorial Principles, p. 17.) category imprint: Differences between sources issues: Inaccuracies in FE |