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b. 32

composition: Op. 10 No 2, Etude in A minor

..

We add a cautionary  before d3.

category imprint: Editorial revisions

b. 32-35

composition: Op. 10 No 2, Etude in A minor

Semiquavers in CLIFE (→GE,EE

Crotchets & semiquavers in Ap

..

Same as in other places, we consider the version of Ap with the extended articulation of the accompanying two-note chords as a transitional stage in the process of shaping of the Etude's text or even an exclusive one-time idea.

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations , Accompaniment changes

b. 32

composition: Op. 10 No 2, Etude in A minor

..

The cautionary natural before d3 was added in a later proofreading of FE (→GE,EE). 

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE

b. 33-34

composition: Op. 10 No 2, Etude in A minor

No ties in CLI

Ties in ApFE (→GE,EE

..

In CLI the E-e octave is not sustained to the next bar, which is probably a mistake. 

category imprint: Differences between sources

issues: Errors of CLI

b. 33-34

composition: Op. 10 No 2, Etude in A minor

No signs in CLI & EE2

 in Ap

 in FEcor

 in FE

 in GE1 (→GE2)

 in GE3 (→GE4GE5)

 in EE3 (→EE4)

..

The sources differ in the range of  entries. Chopin's entries in Ap and FEcor do not show significant differences, in the main text we give the version of FEcor. In finished FE the hairpins in bar 33 were shortened, the version was reproduced in EE with insignificant displacements (except for EE2, where both signs were omitted). It is GE that displays the greatest differences in comparison with the base text: the hairpins in bar 33 actually correspond to authentic signs, yet the sign in bar 34 in GE1 (→GE2) was arbitrarily prolonged, which distorted its meaning, whereas in GE3 and subsequent ones – it was totally omitted.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in EE , Errors in GE , GE revisions