b. 61-62
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3), staccato dots were added for the G flat bass notes. We do not find sufficient grounds for that addition. category imprint: Differences between sources issues: GE revisions |
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b. 61-62
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A has got one pedal mark for two bars. In GE1 an additional appears in bar 62, which must have resulted from the unnecessary application of Chopin's indication to repeat the bar to the pedal mark as well. That incomplete notation was supplemented in FE (→EE) by adding in bar 61. In GE2 (→GE3) the faulty mark from the beginning of bar 62 was removed. category imprint: Differences between sources issues: Errors in GE , GE revisions , FE revisions |
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b. 62
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the L.H. part in this bar was marked in an abbreviated manner as a repetition of bar 61. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 62
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In FE (→EE1→EE2) the accent was omitted and later reintroduced, in the form of a long accent, in EE3. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 63
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the asterisk is written at the end of the bar, after the 3rd crotchet of the left hand. The mark was omitted in GE1, and in FE (→EE) placed under the 3rd crotchet. In this case it is hard to tell whether it was Chopin's correction or the editor's revision – the mark was put where most asterisks were placed in those editions. Cf. Mazurka in g Op. 24 no. 1, bars 49-50, 58. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |