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b. 70

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

In A the accompaniment was marked in an abbreviated manner as a repetition of bar 69.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 70

composition: Op. 24 No. 4, Mazurka in B♭ minor

A wedge in A

No sign in GE1 (→FEEE)

A dot in GE2 (→GE3)

..

The wedge written in A was omitted in GE1 (→FEEE). In GE2 (→GE3) the note was furnished with a dot.

category imprint: Differences between sources

issues: Inaccuracies in GE , Wedges

b. 70

composition: Op. 24 No. 4, Mazurka in B♭ minor

A staccato dot in A and GE2 (→GE3)

No sign in GE1 (→FEEE)

..

In GE1 (→FEEE) the staccato dot for the bass note was omitted. The error probably resulted from an incorrect interpretation of the abbreviated notation of A, in which the dot, not the  mark, should have been preserved (cf. bars 61-62). In GE2 (→GE3) the dot was added again.

category imprint: Differences between sources

issues: Errors in GE

b. 71

composition: Op. 24 No. 4, Mazurka in B♭ minor

A slur under the triplet in A (→GE1FEEE)

Without the additional slur in GE2 (→GE3)

..

The extra slur under the triplet in A (→GE1FEEE) was omitted in GE2 (→GE3). In the context, that slur is just part of the triplet marking and we do not take it into consideration (cf. General Editorial Principlespoint 16).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Triplet slurs

b. 71-72

composition: Op. 24 No. 4, Mazurka in B♭ minor

A slur from the semiquaver in A and GE2 (→GE3)

A slur from the triplet in GE1 (→FEEE)

..

Disregarding the clear notation of A, the slur in GE1 (→FEEE) begins from the 2nd beat of the bar. That inaccuracy was corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in GE