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b. 57
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 57-59
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the slur in bar 58 begins above the bar line, which may suggest its intended earlier beginning. This is most probably the reason why it runs from the last chord of bar 57 in GE (→FE→EE). However, in the editors' opinion, in this context it is much more likely that the slur is one of those too-widely written slurs frequently found in the autograph of the Mazurkas Op. 24. Cf. bar 60. In FE (→EE) that slur and the next one are placed under the chords. category imprint: Differences between sources issues: Inaccuracies in GE , FE revisions |
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b. 59-60
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not clear when the slur exactly begins in A. Taken literally as it is, it begins on the 3rd beat of bar 59, and this is how it was presented in GE (→FE→EE). Yet, a frequent manner of making the slurs too long in A justifies an opinion that Chopin could intend that slur to apply to bar 60 only. category imprint: Graphic ambiguousness issues: Inaccurate slurs in A |
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b. 60
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Chopin not always precisely notated the divisions between the voices. However, in this situation his notation is correct and exact from the point of view of voice-leading. Its simplification in GE (→FE→EE) must be therefore considered an inaccuracy. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 60
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composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
