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b. 16
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic L.H. fingering added by EE2. category imprint: Differences between sources issues: EE revisions |
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b. 17-18
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The slurs starting in bar 17 are poorly visible in A, which could have led to them having been omitted by GE (→FE,EE,IE). In addition, the notation of the L.H. part on the top stave (not included in our transcriptions) would have made it difficult for the engraver, even if he had noticed these slurs. category imprint: Differences between sources issues: Inaccurate slurs in A , Errors in GE |
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b. 17-23
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we reproduce the crescendo and diminuendo indications after A. In the case of crescendo, the simplified version of the editions is inaccurate – the indication was placed only just in the next bar. category imprint: issues: Inaccuracies in GE |
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b. 17-19
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 20
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The A slur cuts off after the 1st quaver in the bar; however, it is likely that Chopin wanted to combine the slurs. Therefore, the GE version (→FE,EE,IE) could be considered an equal variant. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
