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b. 28-30
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composition: (Op. 4), Sonata in C minor, Mvt IV
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When interpreted literally, all 3 slurs starting from the a category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 28-31
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A Chopin divided the diminuendo indication into parts, which he then arranged over bars 28-30. The last entered part is ue, while the rest is missing. In the main text we complement this indication, keeping it proportionally spaced out so that the ending thereof falls on bar 31, which goes well with category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in A |
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b. 28-30
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic fingering added by EE. The digit for g in bar 30 (1, i.e. the 2nd finger) is certainly wrong – it was supposed to be a 4 (i.e. the 5th finger). category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 30-31
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Differences between sources issues: GE revisions |
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b. 30
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The fact that Chopin omitted the L.H. slur was almost certainly caused by the lack of space for writing it – this bar is written in A in the bass clef, while over the highly placed notes there is a fragment of the diminuendo indication and the R.H. slur. In the main text we provide a slur compliant with the slurs in the previous bars. The whole-bar GE slur (→FE,IE) resulted from an arbitrary decision by the engraver of GE (as in the preceding and the next bar). It is difficult to say whether EE shortening the slur (with respect to GE) is an inaccuracy or a lucky revision (after the R.H. slur?). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , EE inaccuracies |