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b.
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The extended category imprint: |
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b. 1
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 the missing introductory indications are one of the many oversights in the initial fragment of the Sonata's finale. They were added in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 2-8
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 these bars include only 2 arpeggio marks, at the beginning of bar 6 and 8. The engraver's patent oversight was corrected in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 2-12
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the ascending passages in bar 2, 4, 10 and 12 Chopin entered accidentals into A only in the first half of each bar, considering them valid also later on in the bar, next to notes placed an octave or two octaves higher. All the necessary accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 4-6
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composition: (Op. 4), Sonata in C minor, Mvt IV
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It is unclear how to understand the combination of the ties between the d1 notes in bars 4-5 and the c1 notes in bars 5-6 and the arpeggio marks preceding the chords at the beginning of bar 5 and 6, since the markings seem contradictory. There are two possibilities:
category imprint: Source & stylistic information issues: Tie or slur |
from A
in 
