mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

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b. 24

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur in A

No slur in GE (→FE,EE,IE)
..

The inconspicuous A slur was overlooked in GE (→FE,EE,IE).

category imprint: Differences between sources

issues: Errors in GE

b. 25

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur in A

No slur in GE (→FE,EE,IE)
..

The inconspicuous A slur was overlooked in GE (→FE,EE,IE).

category imprint: Differences between sources

b. 26-28

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to end of b. 28 in A

Slur to end of b. 26 in GE (→FE,EE,IE)

Slur to end of b. 27 suggested by the editors
..

category imprint: Differences between sources; Editorial revisions

issues: Errors in GE , Errors of A

b. 28-29

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we include the cautionary  to f3 in bar 28 (L.H.), added in GE (→FE,EE,IE). We also add a respective accidental to the R.H. (5th quaver). By contrast, we omit the poorly justified cautionary flats to a2 at the end of bar 28 (L.H.) and on the 3rd quaver in bar 29 (R.H.) present in the sources.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals , Last key signature sign

b. 28-29

composition: (Op. 4), Sonata in C minor, Mvt IV

Slurs from f3(2) in A

Slurs from f3 & g2 in GE (→FE,EE)

No slurs in IE
..

In A the L.H. slurs in both bars encompass the last 6 quavers, constituting a descending scale sequence. The extension of the latter is a clear example of adjusting slurs to rhythmic units, in this case bar. The absence of the slurs in IE most probably resulted from an oversight.

category imprint: Differences between sources

issues: GE revisions , Errors in IE