



b. 24
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The inconspicuous slur connecting the crotchets f category imprint: Differences between sources issues: EE revisions , Errors in GE , FE revisions |
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b. 25
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The inconspicuous A slur was overlooked in GE (→FE1,EE,IE). It was added – probably following the analogy with bars 26-27 – in FE2. category imprint: Differences between sources issues: FE revisions |
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b. 26-28
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources; Editorial revisions issues: Errors in GE , Errors of A |
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b. 28-29
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we include the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 28-29
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the L.H. slurs in both bars encompass the last 6 quavers, constituting a descending scale sequence. The extension of the latter is a clear example of adjusting slurs to rhythmic units, in this case bar. The absence of the slurs in IE most probably resulted from an oversight. category imprint: Differences between sources issues: GE revisions , Errors in IE |