b. 51-52
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in the two previous analogous situations, in GE (→FE,EE,IE) the slur was arbitrarily shortened, as it was led only to the end of the bar. category imprint: Differences between sources issues: GE revisions |
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b. 51-52
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing slur in GE (→FE,EE,IE) is almost certainly due to an oversight by the engraver of GE. category imprint: Differences between sources issues: Errors in GE |
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b. 52-53
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A a few necessary accidentals are missing – in the L.H. part the to A in bar 52 and the to c1 in bar 53 were omitted, while in the R.H. part the naturals to a3 in both bars. In GE (→EE,IE) only the first three were added; all accidentals are present only in FE. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE |
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b. 52-53
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A Chopin unnecessarily repeated a before the e3 minim and the A quaver in bar 52. The former was already omitted in GE (→FE,EE,IE), and in the main text we omit both. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 52
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The absence of the wedge over the third out of the four chords ending similar four-bar phrases (bar 44, 48, 52 and 56) are to be considered Chopin's oversight, hence in the main text we suggest adding this wedge. category imprint: Editorial revisions |