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b. 39
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composition: (Op. 4), Sonata in C minor, Mvt IV
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When interpreted literally, the A version must be erroneous – a chord featuring e category imprint: Differences between sources; Editorial revisions issues: Errors of A , FE revisions |
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b. 40-42
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the four accents in these bars do not differ in size from the next three ones in bar 43. Nevertheless, in GE (→FE) they were reproduced as long accents, which seem more accurate if we take into account the long rhythmic values of the accented chords. Long accents are also supported by them having been shifted beyond the note (although the shift is minimal) and by them having been written slightly more distinctly in bars 44-46, and particularly in bar 52. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , GE revisions , Inaccuracies in A |
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b. 41-42
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 42-44
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no accidentals to the 7th quaver in bar 42 and the 3rd quaver in bar 43 (a2) and to the topmost note in bar 44 (f category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 43-44
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The shorter GE slur (→FE,EE,IE) resulted from a typical, routine revision of GE. Similarly, in bars 47-48. category imprint: Differences between sources issues: Inaccuracies in GE |