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b. 1
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composition: Op. 24 No. 1, Mazurka in G minor
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Replacement of 4 Mazurkas with Quatre Mazurkas does not change the authentic title. The addition to the title in EE is definitely inauthentic; the English editor added the expression Souvenir de la Pologne to each consecutive opus of Chopin's Mazurkas. category imprint: Differences between sources issues: EE revisions |
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b. 1
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composition: Op. 24 No. 1, Mazurka in G minor
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In GE, the note D is furnished with a dot despite the fact that a wedge is clearly visible in A. The sign was entirely omitted from FE (→EE) (cf. bar 13 and bars 5 and 9). GE (→FE→EE have only dots as staccato signs in the entire Mazurka. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 1-32
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composition: Op. 24 No. 1, Mazurka in G minor
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In those bars, the pedal release asterisks are put in A usually at the end of the bar, after the 3rd crotchet of the L.H. (with the exception of bar 17 and analog. and the 1st volta of bar 32). In GE (→FE→EE) all the signs were printed under the 3rd crotchet which suggests – against A – the need of rhythmic release of the pedal in that moment. The problem also occurs in the second part of the Mazurka. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 1
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composition: WN 55, Waltz in F minor
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Four out of five known autographs include dedications. In AO, the dedication was placed under the last staff, on the right-hand side. The remaining dedications are written in the top right corner of the page, over the staff. In AE and AG, Chopin applied abbreviations, which we explain respectively: category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: Dedications |
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b. 1
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composition: WN 55, Waltz in F minor
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The genre marking Valse was written by Chopin in AR, AE, AG. Additionally, it was added in foreign hand: The marking Valse is present also in CC and CY, whereas AO, AK and CX are devoid of it. category imprint: Differences between sources |
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