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b. 1
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composition: WN 55, Waltz in F minor
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In AE, there is a long accent on the c2 crotchet in the upbeat. It shall be considered jointly with the beginning variant of the Waltz in this autograph - the doubly repeated c2. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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The category imprint: Differences between sources; Editorial revisions |
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b. 1-52
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composition: WN 55, Waltz in F minor
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The pedalling markings are present only in FEF and GEF and were most likely added by Fontana. We do not comment on minor and sparse differences between those sources, most often concerning the pedal release point. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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The diminuendo hairpin in bar 1 (of the same range) appears only in FEF and GEF, and it must have been added by Fontana. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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In two autographs, AO and AK, Chopin wrote an abbreviated tempo marking, Allto, which we expand - Allegretto. The tempo and metronome markings in FEF and GEF are certainly inauthentic. In the editions, the metronome is written on the left-hand side next to the first great stave. Following the contemporary convention, we place it next to the tempo marking. The tempo marking is followed by a dot in both sources; in GEF, a dot is present also after the metronome marking - we do not take them into consideration in the edition. category imprint: Differences between sources; Editorial revisions |
marking in 
marking was probably added by Fontana.
