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b. 1
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) Chopin changed the R.H. rhythm in comparison to the AI version. Scrapings visible in A show that Chopin considered even a double dotted rhythm: the last d category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Chopin's hesitations |
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b. 1
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composition: Op. 24 No. 2, Mazurka in C major
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At the beginning of the bar in A one can see a deleted category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Cautionary accidentals |
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b. 1
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composition: Op. 24 No. 2, Mazurka in C major
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A deleted category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 1
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 1
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composition: Op. 27 No 1, Nocturne in C# minor
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Both the sentimental title "Les Plaintives" and the description 7e Nocturne placing the Nocturne on the list of the works of that genre published by Chopin are definitely an arbitrary addition by the publisher of EE. category imprint: Differences between sources issues: EE revisions , Dedications , Various titles |
2 was written as a semiquaver following a crotchet with two dots.
before e1. The need to put that sign could, in our opinion, result from the uninterrupted transition in writing - perhaps also performing - from the Mazurka in G minor to the Mazurka in C major.
can be seen at the beginning of the Mazurka in 
