|
b. 1
|
composition: WN 55, Waltz in F minor
..
In FEF and GEF, we give in brackets a tied a category imprint: Differences between sources |
|||||||
|
b. 1
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The replacement of 4 Mazurkas with Quatre Mazurkas does not change the authentic title. However, the addition to the title in EE is definitely inauthentic; the English editor used to add the expression Souvenir de la Pologne to each consecutive opus of Chopin's Mazurkas. In EE2 the dedication was omitted. category imprint: Differences between sources issues: EE revisions , Dedications |
|||||||
|
b. 1
|
composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources issues: Inaccuracies in FE |
|||||||
|
b. 1
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
While preparing the Mazurka for print Chopin revised and precised the initial performance indications in A (→GE→FE→EE): he described the tempo differently than in AI, and added the metronome mark and con anima. category imprint: Differences between sources; Corrections & alterations issues: Changes of tempo markings |
|||||||
|
b. 1
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
AI is not titled, and the dedication written there differs from the later one that Chopin wrote for the entire opus in A (→GE→FE→EE). The replacement of 4 Mazurkas with Quatre Mazurkas in FE and GE2 does not change the content of the authentic title from A (→GE1). However, the addition to the title in EE is definitely inauthentic; the English editor used to add the expression Souvenir de la Pologne to each consecutive opus of Chopin's mazurkas.
category imprint: Differences between sources issues: EE inaccuracies |
-c1 third on the 1st beat in the L.H., which refers to the repetition of the whole Waltz in those sources. 
