b. 1
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composition: WN 55, Waltz in F minor
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Four out of five known autographs include dedications. In AO, the dedication was placed under the last staff, on the right-hand side. The remaining dedications are written in the top right corner of the page, over the staff. In AE and AG, Chopin applied abbreviations, which we explain respectively: category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: Dedications |
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b. 1
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composition: WN 55, Waltz in F minor
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The genre marking Valse was written by Chopin in AR, AE, AG. Additionally, it was added in foreign hand: The marking Valse is present also in CC and CY, whereas AO, AK and CX are devoid of it. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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The articulation marking legato was added by Chopin only in AE. It is also present in the CX and CC copies. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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In FEF and GEF, we give in brackets a tied a-c1 third on the 1st beat in the L.H., which refers to the repetition of the whole Waltz in those sources. category imprint: Differences between sources |
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b. 1
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The replacement of 4 Mazurkas with Quatre Mazurkas does not change the authentic title. However, the addition to the title in EE is definitely inauthentic; the English editor used to add the expression Souvenir de la Pologne to each consecutive opus of Chopin's Mazurkas. In EE2 the dedication was omitted. category imprint: Differences between sources issues: EE revisions , Dedications |