Issues : Accidentals in different octaves
b. 225-227
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composition: Op. 23, Ballade in G minor
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In A (→FE), Chopin overlooked the sharps raising f3 to f3 in b. 225 and 227. The accidentals were added by EE, while GE repeated both accidentals before these sixths, and . category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 227-228
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composition: Op. 21, Concerto in F minor, Mvt I
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The notation of accidentals in this passage is very inaccurate in A, particularly in the part of the R.H., in which only the 1st half of bar 228 includes all necessary signs. Luckily, it does not impede the correct interpretation of the text. In the editions the signs were gradually added, but only GE2 and EE3 have the fully correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in EE , Errors in GE , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 228-229
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composition: Op. 23, Ballade in G minor
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The chromatic notation of A is inaccurate in a peculiar way – Chopin overlooked the to the bottom note of the 1st octave in b. 228 (B1) and the accidentals to the bottom notes of the sixths on the 4th quaver in both bars (a2 and f2, respectively). It is also noteworthy that there is a cautionary to f2, but not a quaver earlier to f1. FE added only a to B1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Last key signature sign , Inaccuracies in A , Errors repeated in FE |
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b. 230
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composition: Op. 23, Ballade in G minor
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In A Chopin overlooked the to the bottom note of the 1st L.H. octave (F). The accidental was added by FE (→GE,EE). In the R.H. part A includes a cautionary accidental only to e1. In the main text we also add naturals to c1 and c2; they were also added by GE and, gradually, by EE – to c1 in EE2 (→EE3), only to c2 in EE3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A |
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b. 231-232
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no naturals raising e2 to e2 in the middle of bar 231 and e1 to e1 two semiquavers later as well as e to e at the end of bar 232. All signs were added already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in A |