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Issues : Accidentals in different octaves

b. 231

composition: Op. 21, Concerto in F minor, Mvt III

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In A there are no flats lowering g1 to g1 and g2 to g2. This patent inaccuracy was partially corrected already in GE1 (→FE), by adding the first of the overlooked flats. The correct text is in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 232-234

composition: Op. 35, Sonata in B♭ minor, Mvt I

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Before the top note of the last octave in bar 232 and the 2nd one in bar 234, there are no accidentals in GC and the earlier FE. The necessary signs –  of f and  of b – were added in EE, GE and FE4.

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC

b. 232

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC and FE1 (→FE2→FE3) there is no  before the top most note of the 3rd crotchet in the R.H. The patent inaccuracy was corrected in GE, EE and FE4. In all sources a  was unnecessarily repeated before g1 in the chord in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , FE revisions , Inaccuracies in GC

b. 233

composition: Op. 23, Ballade in G minor

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The  to the top note of the 1st sixth (f3), overlooked by A, was added by FE (→GE,EE). In the main text we add a cautionary  to a2.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , FE revisions , Inaccuracies in A

b. 233-237

composition: Op. 2, Variations, complete

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In A there is no  restoring b2 on the last semiquaver in bar 233; both flats at the end of bar 237 are absent too. The mistakes were corrected by GE (→FE,EE,FESB).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A