mUltimate Chopin

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Issues : Accidentals in different octaves

b. 2

composition: Op. 21, Concerto in F minor, Mvt II

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In A there is no  before the top note of the octave. This patent inaccuracy was corrected in GE (→FE→EE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 4

composition: Op. 35, Sonata in B♭ minor, Mvt II

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FE (except for FE4) lacks in five necessary accidentals – naturals before d2 and b and sharps before f, f2 and g2. This patent inaccuracy certainly has its source in the notation of [A]. Similarly in GC, in which, however, Chopin added a  raising b to b. In GC (→GE) there are also no naturals before the last octave in the R.H. – it can be an oversight of the copyist or a later addition in [A]. In the remaining sources the signs were completed (all additions can be attributed to a revision): three were added in EE1 and FE4, four in GE; only EE2 includes the correct notation. Cf. bar 24.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC , Authentic corrections in GC

b. 4

composition: Op. 11, Concerto in E minor, Mvt I

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In Atut, there is no  raising the bottom note of the L.H. on the 3rd beat of the bar. This patent inaccuracy was corrected in FE (→GE,EE). There is a similar situation in bar 12.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Authentic corrections of FE , Inaccuracies in A

b. 5-8

composition: Op. 10 No 10, Etude in A♭ major

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In the 2nd four-bar section Chopin wrote the accidentals less carefully. In A (→FE) there are no naturals before b2 in bar 5 and d3 in bars 7-8. These patent oversights were corrected in GE and EE (in EE3 the  in bar 7 was not completed).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of A

b. 6-7

composition: Op. 10 No 1, Etude in C major

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The sharp in front of f2 in bar 6 is present only in EE, while the  in front of a3 in bar 7 appears only in the later impressions and editions (EE4 and all GE,s except for GE1). Moreover, in CLI there is no  in front of f1 in bar 6. Those discrepancies does not influence the reading of the text, yet they result from the gradually specified rules governing the accidentals.

category imprint: Source & stylistic information

issues: EE revisions , Accidentals in different octaves , GE revisions