



b. 432
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composition: Op. 16, Rondo in E♭ major
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In the main text, we add a cautionary category imprint: Editorial revisions |
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b. 433
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composition: Op. 39, Scherzo in C♯ minor
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None of the sources seems to be authentic enough. No accidentals before the third octave in GC (→GE1) and FE suggests its reading as D category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
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b. 433-446
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composition: Op. 39, Scherzo in C♯ minor
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We may assume that although the accent marks in GC (→GE) are quite large, when compared with the previous section - short accents in bars 416-431, and with the corresponding bars 91-96 and 99-104 - mostly long accents, they should be interpreted as short ones. Short accents can undoubtedly be found in EE (with the exception of a mark in b. 439 that must have been omitted). For the main text we adopt long accent found in FE as we see no reason to notate the bars in question differently from the corresponding bars 91-104. category imprint: Differences between sources issues: Long accents |
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b. 433
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composition: Op. 21, Concerto in F minor, Mvt III
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In A the notation of accidentals in this bar is inaccurate:
The necessary signs were added already in GE1 (→FE); however, the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Accidental below/above the note |
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b. 433-437
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary category imprint: Editorial revisions |