



b. 431
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composition: Op. 39, Scherzo in C♯ minor
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In EE there is cautionary category imprint: Differences between sources issues: EE revisions |
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b. 431
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composition: Op. 21, Concerto in F minor, Mvt III
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The mark placed at the beginning of this bar in A may be interpreted as a long accent, after bar 429, or as a category imprint: Graphic ambiguousness issues: Long accents |
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b. 431
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals on the 2nd and 3rd beats of the bar, which is a patent inaccuracy. In the remaining editions, a part of the necessary sharps was added; however, none of the editions employed a consistent rule of validity of accidentals for notes appearing in various octaves. In GE1 (→GE2), sharps were added before the 5th, 9th, 10th and 12th semiquavers, which was further developed in GE3 – the accidentals before the 5th and 9th semiquavers were removed and added before the 6th and 8th ones. In EE, 5 sharps were added, omitting only the one before the 6th semiquaver. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions |
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b. 431
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 431
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composition: Op. 11, Concerto in E minor, Mvt I
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This is one of only two places in the entire figurational section of the development (from bar 408) in which a dot was used as a staccato mark at the beginning of the bar, instead of a wedge. According to us, it is almost certainly an inaccuracy of notation. Cf. bar 438. category imprint: Editorial revisions issues: Wedges |