



b. 428-432
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE) and added by him in the proofreading of FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 429
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composition: Op. 39, Scherzo in C♯ minor
category imprint: Differences between sources issues: Errors in FE |
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b. 429-432
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composition: Op. 21, Concerto in F minor, Mvt III
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Ignored dashes marking the range of cresc. is a frequent inaccuracy of the first Chopinesque editions. The fact that GE2 added dashes only in bar 429 may be explained by an inaccuracy (it is the last bar on the page in GE2 – cf. bars 469-474). However, further dashes may have been thought to be contrary to the category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 429
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composition: Op. 21, Concerto in F minor, Mvt III
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It is unclear whether Chopin had a long accent in mind, emphasising the last chord of the cadence, or a short category imprint: Graphic ambiguousness issues: Long accents |
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b. 429
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |