



b. 426
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 426
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composition: Op. 11, Concerto in E minor, Mvt I
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An earlier beginning of the slur in GE1 (→GE2) must be an inaccuracy of the engraver who could have misinterpreted the "encompassing" slur of FE. A slur compliant with both piano and musical logic was restored in GE3. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 426-427
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composition: Op. 11, Concerto in E minor, Mvt I
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Both this passage and a similar one 4 bars later are encompassed with two slurs. In spite of this, in both cases one can find a justification for divisions of those slurs (each time different); according to us, the most likely explanation for this state of affairs is an inaccurate notation resulting from, e.g. the layout with an octave sign encompassing also the 2nd beat of the bar, which favours divisions of slurs, or from the transition to a new line in [A] (in bars 430-431). Due to this reason, in the main text we suggest a slur encompassing the entire sequence of semiquavers in each of those places. category imprint: Editorial revisions |
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b. 426-427
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composition: Op. 11, Concerto in E minor, Mvt I
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Both Fontana's fingering in EE and the entry in FEH (most probably performed by the pupil's hand) differ from the Chopinesque fingering indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 426-427
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composition: Op. 11, Concerto in E minor, Mvt I
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A shorter slur is an inaccuracy of GE3. Chopin proofread this slur in FE – the traces of corrections show that the original slur would begin on the 3rd beat of bar 426 – and did not change the moment of its ending. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |