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b. 381-385
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs in the L.H., added in EE and GE2 and being a repetition of a respective slur in the R.H., were certainly performed by the revisers. However, their compliance with Chopin's intention is not entirely excluded – see bars 376-377 and 384-385 as well as 385-387 and 387-388. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 381
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composition: Op. 11, Concerto in E minor, Mvt III
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We include the fingering of FEH in the main text, written probably by Chopin and confirmed by the Chopinesque entry in FED. In EE, Fontana gives the same fingering. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 382
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composition: Op. 11, Concerto in E minor, Mvt III
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Both fingerings could be coming from Chopin, yet their possible authenticity is unconfirmed. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 382
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composition: Op. 11, Concerto in E minor, Mvt III
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In the R.H. part, FE has only two naturals in the first semiquaver triplet. This inaccuracy, typical of Chopin, was corrected in the remaining editions – GE1 (→GE2) added a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , Cautionary accidentals |
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b. 382-383
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composition: Op. 31, Scherzo in B♭ minor
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The interpretation of the phrase mark of A by FE (→EE) must be considered inaccurate: the phrase mark of the manuscript is pulled to the beginning of b. 383, while the bold ending of the slur proves a careful, diligent stroke of the pen. category imprint: Differences between sources issues: Inaccuracies in FE |
before the penultimate semiquaver of the bar, while 
