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b. 645-647
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering given by Fontana in EE and the one entered in FEH are compliant – both develop Chopin's printed indication. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 645
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composition: Op. 31, Scherzo in B♭ minor
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As in b. 637 and 639, we consider the staccato dot over b category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 646
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with dynamic markings of analogous bars 648-650 leads to the conclusion that the short accent over the chord in the L.H. probably reproduces Chopin's intention inaccurately. Therefore, in the main text we suggest an averaged mark in terms of both its size and assignment to one or both hands. category imprint: Editorial revisions issues: Long accents , Placement of markings |
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b. 646
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, one can see a trace of the original, shorter slur that encompassed only the last group of semiquavers. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 647
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composition: Op. 39, Scherzo in C♯ minor
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We may suspect that the rhythm of EE is an earlier version of this chord's notation. category imprint: Differences between sources |
2 a remnant of the original version, presumably removed during the proofreading of 
