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b. 625-626

composition: Op. 31, Scherzo in B♭ minor

..

In FED one can see two diagonal lines, written with a flourish. Their significance remains a mystery, although one of them could be interpreted as a mark emphasising the meaningful coherence of the chords in these bars.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Annotations in FED

b. 626-635

composition: Op. 11, Concerto in E minor, Mvt I

No accents in FE

3 accents in GE & EE
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The missing accents in bars 626, 630 and 635 are most probably a result of oversights of the engraver of FE or of Chopin in [A]. In the main text, we add the missing accents like all the remaining editions.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 627-629

composition: Op. 39, Scherzo in C♯ minor

End of  in EE

GC (→GE)

FE
..

For the main text we adopt the scope of  hairpins based on GC (→GE). In EE they are a little shorter, which may be treated as a parallel, slightly different version. A clearly earlier ending of the mark in FE seems less accurate, and moreover, according to an out-of-date convention the continuation of crescendo in b. 627, starting a new line, was marked with new  hairpins.

category imprint: Differences between sources

issues: Hairpins denoting continuation

b. 628

composition: Op. 39, Scherzo in C♯ minor

..

In FE the last but one quaver in the bar is g2-g3, which is an obvious mistake.

category imprint: Differences between sources; Source & stylistic information

issues: Errors in FE

b. 628

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: EE revisions