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b. 374
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions |
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b. 374
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composition: Op. 31, Scherzo in B♭ minor
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The fact that there is no indication that f category imprint: Editorial revisions |
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b. 374
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composition: Op. 2, Variations, complete
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In the main text we suggest pedal marks modelled on an authentic indication in analogous bar 372. This bar opens the last page in A, which is devoid of pedal marks, which makes us assume that Chopin forgot to write them there. However, it cannot be ruled out that he did not repeat the marks on purpose due to a lower register of the bass and the R.H. part. category imprint: Editorial revisions |
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b. 374
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we do not include the wedge added in the editions over the 2nd crotchet. It is true that the mark is present in A in bar 8, but the set of markings in that bar is clearly different than the one here or in bar 191. category imprint: Differences between sources issues: GE revisions |
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b. 374
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As was the case with the preceding chord, Chopin's oversight seems much more likely than an intentional omission of the arpeggio. category imprint: Editorial revisions |
should be taken over by the L.H. is to be considered an inaccuracy of notation. Chopin could have considered the indication in very similar 
