b. 629-631
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the differences in the range of the hairpin are accidental inaccuracies in the reproduction of the notation of A. In the main text we preserve the mark inserted by Chopin's hand, although its starting point cannot be clearly related to the other elements of notation, which was probably the reason for discrepancies in the remaining sources. category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in FC |
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b. 630-640
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 630, 635, 638 and 640 in FE, there are no little slurs combining the grace notes with the quaver that ends the motif. A comparison with the remaining similar bars of this 24-bar section points to oversights of the engraver of FE or of Chopin himself. In the main text, we add the overlooked little slurs like it was performed in GE and EE. category imprint: issues: EE revisions , GE revisions |
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b. 630
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 630-631
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we include the pedalling gradually added by Chopin: category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 630-632
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 179-181, in the main text we add cautionary flats before the E1 and E grace notes in b. 630 and before the D1-D octave in b. 632. The accidentals in b. 630 were added already in GE, whereas those in b. 632 – in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |