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b. 623-627
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering given in bar 623 and 627 suggests beginning the trill from the top note, which seems to be questionable in this context. category imprint: Differences between sources issues: EE revisions |
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b. 623
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 624
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composition: Op. 11, Concerto in E minor, Mvt I
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In an identical figuration four bars later, Fontana indicated only the fingering of the quavers in the bottom voice. However, he most probably meant the same fingering in both places. Its authenticity remains unconfirmed, like the majority of Fontana's indications. category imprint: Differences between sources issues: EE revisions |
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b. 624
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 625-626
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composition: Op. 11, Concerto in E minor, Mvt I
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The division of the slur in GE results from an erroneous interpretation of the slightly inaccurate notation of FE – the slur in bar 625, the last one in a line of text, suggests continuation with its shape but not range. However, the slur in bar 626 leaves no doubts that it is a continuous slur. category imprint: Differences between sources issues: Errors in GE |
