



b. 338
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composition: Op. 2, Variations, complete
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The missing category imprint: Differences between sources issues: Errors in GE |
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b. 339
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composition: Op. 39, Scherzo in C♯ minor
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There is no bass clef at the end of the bar in EE, GC or FE. Given this consistency of sources we may cpnclude that this error was already present in the two autographs. Since the chords of RH in b. 340 are notated on two staves, lack of the clef does not pose any problems for the text interpetation (in EE and FE b. 340 is printed as the new line of the text with the right clef at the beginning, which minimises the consequences of this omission). The clef was supplemented in GE. We can find similar inaccuracy in b. 347. category imprint: Source & stylistic information issues: Inaccuracies in FE , GE revisions , EE inaccuracies , Errors of GC |
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b. 339-340
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composition: Op. 21, Concerto in F minor, Mvt I
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Taking into account a significant similarity of these bars to the previous ones, in the main text we suggest analogous markings. category imprint: Editorial revisions |
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b. 339
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add cautionary flats before e category imprint: Editorial revisions |
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b. 339
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composition: Op. 2, Variations, complete
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In A and in the majority of the editions the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Errors of A |