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b. 335
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing wedges in the editions are due to mistakes by the engraver of GE, who mistook the wedge over B category imprint: Differences between sources issues: Errors in GE |
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b. 336
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composition: Op. 39, Scherzo in C♯ minor
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We believe there is little chance that Chopin consciously left out sotto voce at any stage of preparing FE. category imprint: Differences between sources |
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b. 336-343
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composition: Op. 39, Scherzo in C♯ minor
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Slur endings in bars 339 and 343 are innacurately notated in GC as the slurs extend over to the rests on the second beat of the bar. category imprint: Source & stylistic information issues: Inaccuracies in GC |
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b. 336
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composition: Op. 21, Concerto in F minor, Mvt I
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According to us, the version of GE1 (→FE→EE) is a result of a misunderstanding of the sense of the proofreading in the previous bar. The engraver probably considered the c2 crotchet to be related to the trill and constituting its ending. Since in the proofreading a change of the trilled note was marked, he assumed that the crotchet is also to be corrected. category imprint: Differences between sources issues: Errors resulting from corrections , Errors in GE , GE revisions |
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b. 336
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composition: Op. 21, Concerto in F minor, Mvt III
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The long accent on the 1st beat of the bar in A was reproduced in GE1 inaccurately, by shortening the sign and placing it closer to the 2nd beat of the bar. As a result, FE (→EE) include an accent on the 2nd beat of the bar, which is a mistake. GE2 corrected the placement of the sign, but not its length. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions |
for a notehead (see the note above) and overlooked the mark over E
