b. 459-461
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composition: Op. 11, Concerto in E minor, Mvt I
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In subsequent passages, Fontana's fingering resembles the scheme indicated by Chopin in bar 457. The indications written in FEH are of the same nature. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 459
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: EE revisions |
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b. 459-460
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composition: Op. 11, Concerto in E minor, Mvt III
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In analogous bars 467-468, the slur in a pianistically identical situation is led to the beginning of the bar. Therefore, it is likely that one of the versions is inaccurate. A longer slur is supported by the slur in the L.H., while a shorter slur could be justified by the presence of in bar 460. However, the force of the latter is impaired by the double slur in bars 463-464, in which the quaver that ends the passage is also accented ( after ). category imprint: Editorial revisions |
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b. 460
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composition: Op. 39, Scherzo in C♯ minor
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The variant in EE is most probably an earlier version of this chord (cf. corresponding situation in b. 210). In the main text we present the version of GC (→GE) and FE, supplemented by cautionary naturals before h and h1. category imprint: Differences between sources; Editorial revisions |
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b. 460
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composition: Op. 39, Scherzo in C♯ minor
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The more complete chords of FE correspond with b. 210. For the main text we adopt EE and GC (→GE), where Chopin skilfully reduces the performance volume of the chords in their middle register. In EE, f in the quaver chord was mistakenly written out in the RH part. category imprint: Differences between sources issues: Errors in EE |