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b. 573-584
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composition: Op. 39, Scherzo in C♯ minor
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In GC the bars are marked with consecutive letters from a to m. The letters are then used to mark bars 605-616 in short. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 573
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Editorial revisions |
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b. 573-599
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 573-576
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composition: Op. 31, Scherzo in B♭ minor
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A missing accent at the beginning of each of these 4 bars may be an oversight of Fontana. According to us, it is, however, more likely that Chopin added the accents in A after FC had already been prepared. category imprint: Differences between sources issues: Corrections in A , Errors of FC |
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b. 573-576
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give 6 staccato dots, written in A over the 3-crotchet motifs. The absence of the dots in FE (→EE) is probably an oversight; the engraver could have been misled by the placement of the dots in A, i.e. close to the dashes marking the range of calando. In turn, it is unclear how the missing dots in b. 574 and 576 in GE are to be explained, since one can imagine both an oversight and a revision. However, there is no doubt that the doubled marks under the notes are a revision. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
