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b. 569
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composition: Op. 11, Concerto in E minor, Mvt I
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The additional fingering in EE only repeats the scheme indicated by Chopin in the 1st half of the bar. category imprint: Differences between sources issues: EE revisions |
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b. 569
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composition: Op. 11, Concerto in E minor, Mvt I
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In this bar, there is no musical reason to release pedal earlier than in the previous bars. Therefore, the notation of FE (→EE) is inaccurate, most probably due to lack of space under the octave in bar 570 in [A], which forced the placement of the category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 570
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composition: Op. 11, Concerto in E minor, Mvt I
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The additional category imprint: Differences between sources issues: Errors in GE , Partial corrections |
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b. 570-571
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering is identical to the one indicated by Chopin in FED; it is just more accurately written out. In the main text, we include only the undoubtedly authentic entry of the composer. category imprint: issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 570
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing wedge over the topmost note is probably an oversight of the engraver of GE, although one cannot exclude a later addition of the mark in the last phase of proofreading of FE. category imprint: Differences between sources issues: Errors in GE |
on 3rd beat in 
mark still at the end of bar 569 and, consequently, a respective shift of the 
on 2nd beat in 
