|
b. 574-580
|
composition: Op. 39, Scherzo in C♯ minor
..
In the main text we present the marking cresc. - - - after GC (→GE). In EE it is written out in syllables, which is a characteristic of this edition. in FE there is no marking - Chopin may have written [A2] hastily (cf. annotation to 573). category imprint: Differences between sources |
||||||
|
b. 574-575
|
composition: Op. 31, Scherzo in B♭ minor
..
The missing slur must be a mistake of the engraver of FE. The slur was added in EE, probably on the basis of analogy with b. 572-573 and 578-579. The shorter slur of GE2 (→GE3) is a result of a unifying revision, to which all similar motifs were subjected. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
||||||
|
b. 575-579
|
composition: Op. 39, Scherzo in C♯ minor
..
In bars 575 and 579 of FE there are long accents, in EE - short (in b. 575 no accent). Accents in GC may be taken as long since they extend over two quavers, or short, as marks of this length most of the time in his manuscript represent short accents (shorter marks actually do not appear there, and long accent marks are undoubtedly and visibly longer). In GE they were interpreted as short ones. category imprint: Interpretations within context; Differences between sources issues: Long accents |
||||||
|
b. 576-580
|
composition: Op. 39, Scherzo in C♯ minor
..
Pedalling signs only present in FE may have been added by Chopin upon proofreading, which is furrther indicated by the lack of such signs in b. 608 and 612, which in the manuscript serving as the basis for FE, were most probably marked as repetitions of bars 576 and 580, and so should include the same performance markings. category imprint: Differences between sources issues: Authentic corrections of FE |
||||||
|
b. 576
|
composition: Op. 39, Scherzo in C♯ minor
..
In all sources there is category imprint: Editorial revisions; Source & stylistic information |
before d
at the beginning of a bar. We omit this unjustified sign.