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b. 302-303
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composition: Op. 11, Concerto in E minor, Mvt III
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In this case, the staccato dots added in GE3 are partially justified – this is how three chords in bar 75 (counterpart of bar 303) are marked in FE. The reviser of GE3 was more zealous here than in bars 74-75, in which he left the last quaver in bar 75 without additions. category imprint: Differences between sources issues: GE revisions |
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b. 302-303
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 302
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composition: Op. 31, Scherzo in B♭ minor
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We keep the notation of the majority of the sources, in which the double grace note is written in quavers. However, in the face of A, one can ponder whether Chopin did not forget to add the top beam of the semiquaver beaming, since in analogous b. 404 all sources feature small semiquavers. category imprint: Differences between sources issues: GE revisions |
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b. 302
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composition: Op. 44, Polonaise in F♯ minor
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We follow GE in the main text, as in bars 43, 69 & 276. category imprint: Differences between sources |
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b. 302
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 69, assuming an incorrect interpretation of [A], in the main text we suggest the notation of analogous b. 43. category imprint: Editorial revisions |
before d1 in b. 302 and before e1 in b. 303. The marks were also added in 
in 
1-a1 in sources